Published: 2018-10-03

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THE ARTISTIC SEMANTICS OF A BORDER IN MODERN UKRAINIAN NOVELS: THE GENDER ASPECT

Olha Mykolaivna BASHKYROVA
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ANTI-IMPERIAL DISCOURSE IN TREATISES AND LETTERS BY IVAN NECHUI-LEVYTSKY (Formulation of the problem)

Volodymyr POLISHCHUK
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THE RED AND BLACK COLORS IN THE LITERARY WORKS BY IVAN NECHUI-LEVYTSKY (FRAGMENT

Inna KOSHOVA
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"THE LIFE OF IVAN LEVITSKY (NECHUY) WRITTEN BY HIM": PSYCHOBIOGRAPHICAL ASPECT

Olga MIROSHNYK
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MODERNISTIC INTENTIONS OF LATE LITERARY WORKS BY IVAN NECHUI-LEVYTSKY

Ganna KLYMENKO (SYNIOOK)
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HUTSULIAN VIEWPOINT OF CREATIVE WORK OF SYDOR VOROBKEVYCH (FICTIONAL PROSE AND DRAMATURGY)

Mykola VASYLCHUK
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DRAMATIC TETRALOGY OF GNAT HOTKEVICH «BOGDAN KHMELNYTSKYI»: IDEAS AND ARTISTIC INTERPRETATIONS

Viktoriya ATAMANCHUK
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LITERARY INTERPETATION OF EAST/WEST IN UKRIANIAN PROSE IN THE TWENTIES OF THE XX CENTURY

Lidia KAVUN
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ANTHROPOCENTRISM AND ARTISTIC PECULIARITIES OF VASYL ZAKHARCHENKO'S EARLY SHORT STORIES AND NOVELS

Kateryna KRYVOPYSHYNA
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HISTORICAL CONDITIONALITY OF CREATING MEMOIRS (by the example of diaspora literature)

Liudmyla DZHYHUN
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HUTSULSHCHYNA IN THE STORY OF MARKO CHEREMSHYNA ‘KERMANYCH’. ‘COMMON GROUND’ WITH YURIY FEDKOVYCH

Mykola VASYLCHUK
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THE COLOR WORLD OF THE EXPRESSIONIST SHORT STORIES BY VASYL’ STEFANYK (THE ARTICLE 2)

Inna KOSHOVA
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THE VISUAL AND VERBAL COMPONENTS: CRITICISMS OF THE ARTICLE «IVAN LEVYTSKY’S JUBILEE» BY IVAN FRANKO

Yaroslava MURAVETSKA
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«ENDSPIEL ADOLFO, OR ROSE FOR LISA» BY TANYA MALYARCHUK: PSYCHOANALYTIC INTERPRETATION

Oksana VERTYPOROKH
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TRANSFORMATION OF THE SETTLEMENT LOCUS INTO THE SACRAL SPACE (ON THE MATERIAL OF CHRONICLE «QARABAGNAME»)

Matanat ISMAILOVA
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TOPOS CHIVALRY IN THE HISTORICAL TRILOGY OF HENRIK SENKEVICH

Victoria MARTSENISHKO
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