„Stara Hromada’s” effect on the ideological and creative positions by Mykhailo Starytsky

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V. Polishchuk

Анотація

The article is devoted to the factor’s analysis that is formed outlook and ideological and aesthetic positions by Mykhailo Starytsky – one of the classics of Ukrainian literature. The effect and role of the Kyiv „Stara Hromada” in the ideological and creative writer’s self-forming is reasonably marked. M. Starytsky ideological evolution from political radicalism to the tolerance of classics’ principle of evolutionary progress of society (including Ukrainian) through education, culture, spirituality, democracy is traced. The public and creative figure of M. Starytsky is considered in the context of other famous devotees of the second half. XIX – beginning of the twentieth century (M. Drahomanov, V. Antonovych, T.Rylskiy, M. Lysenko and others). The latest historiographical and literary studies relating to the specified time and specified issues are used for this. The political component outlook of M. Starytsky, the role and meaning of the religious and spiritual factor in the evolutionary progress classics is analyzed in the article. The phenomenon of Slavophilism in M. Starytsky’s interpretation, the similarity of his position with the respective positions of Shevchenko singled out and analyzed. Each of the aspects analyzed in the article is argued of the analysis of many art writers’ works – poetry, prose, drama. The particular attention is made on the story „Zarnytsa”, civic poetry, drama „The cross of the life”. Kyiv „Stara Hromada” had an impact at M. Starytsky’s ideological and creative evolution

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