The ideological discourse of Romanticism in the historic prose: historiosophical conception and Christianity

V. Martsenishko

Abstract


The meaning of historiosophy and religion (Christianity) in the development of the ideological discourse of Romanticism is defined in the article. To this end comparison of the Ukrainian and Polish hystoriosophical concepts of both nations’ history by comparison of Sarmatian and Cossack knight cults with topic characterized to them is made. Causes and conditions of establishment of the Ukrainian and Polish historical knight cults are accented. The typological comparison of the features of both nations’ knight ideals by analysis of appropriate topic is also represented. The author indicates “boundary” character of these cults, its expansion to both nations’ cultures. The important role of the literature in formation of the Ukrainian and Polish national-political ideologies and programs of sociopolitical movements is accented. In addition, the author proposes to base typological analysis of Ukrainian and Polish romanticism in individual cases not upon identical, but upon analogous phenomena (historical cults and topoi). The influence of the Christian Romanticism on formation of Mychailo Starytsky’s and Genrik Senkevich’s hystoriosophical concepts is studied on the material of Starytsky’s trilogy “Bogdan Khmelnytsky” and Senkevich’s novel “With Fire and Sword”. Opposition of faith had become crucial for both writers because in this context native faith had been a religious-denominational and national factor conservation of which and fight for which had been a key pledge of the national self-identity of both nations. The religious factor in Starytsky’s trilogy sounds much stronger than in his other literary works whereas in Senkevich’s novel it is weaker and in the case of creation of the Ukrainian images it’s even veiled.

Keywords


ideology; discourse; romanticism; historic novel; historiosophical; conception; Christianity; religion; worship; context; style

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